Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician's attention is pricked by the tattoo of Botticelli's 'Birth of Venus' inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he's forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he's been searching for. He find redemption and peace.

'Oil in the Blood' is a documentary feature film on the contemporary custom motorcycle culture. It's not a film about motorcycles, it's a film about motorcycle people.The philosophy of individualism is embedded in motorcycling. The desire to be different, unique, is at the root of the motorcyclist's imagination. Modifying, customising, changing bikes is at the very heart of the biker.The new wave custom scene as it is today, is a thriving subculture sitting on the edge of the mainstream motorcycle world, where individuals and groups of friends are busily chopping and building bikes in their sheds and kitchens; where single- proprietor micro- businesses are creating bespoke motorcycles for fuel hungry customers. Old forgotten motorcycles and models are being brought back to life - unfashionable, ugly ducklings turned into often preening peacocks. Old skills that were once disappearing are being learnt and mastered by a new generation, where the pride comes from graft and not purchasing...